The blog providing "behind the scenes" information to the art found on www.cowartandmore.com. This blog is maintained by gallery owner and cattle veterinarian, Kathy Swift
Wednesday, January 5, 2011
Book signing with artist Valerie D'Ortona
Books Inc
505 NW 13th St.
Friday, Jan. 7
5 to 7 PM
Santa Fe College
Library Lobby
NW Campus
3000 NW 83rd St.
Monday, Feb. 14
1:30 to 3:30 PM
Valerie will be signing her book, Big T's Heart's in Me! , which describes, in artistic format, the life and death of her son Tony and fulfilling his final wish to be an organ donor.
Wednesday, July 8, 2009
New art from Valerie D'Ortona
Valerie has expanded her watercolor paintings of cow art. These pieces are available as originals only and are a larger size than what Cow Art and More currently offers on Valerie's art.Picture credit: "Sea Sun", watercolor on paper, 16" x 20"
Go to Cow Art and More to read more about this cow watercolor painting
See more of Valerie's new work at our new products page
Saturday, January 31, 2009
Valerie answers "Why she paints".

Why do you paint?
I paint because doing so takes my mind off my worries and petty annoyances. Also, painting whimsical animals is just plain fun. My images make me laugh; perhaps they’ll entertain others, as well. And, I think Tony would be relieved to know that I’m “stay[ing] out of trouble.”
Picture credit: "Moo-vin", acrylic on paper
Wednesday, January 28, 2009
"Isabel" can enjoy coffee with you

Valerie has also created a mug with Isabel and Isabel's friend Lisabel on it. It is microwave safe and also available through the Cow Art and More gallery website.
Tuesday, January 27, 2009
Valerie's advice for other artists

What advice do you have for wanna-be artists?
If I—a little ol’ lady school teacher--can do it, you can do it! I taught college English or served as a college administrator my entire career, never having picked up a paintbrush until I was 58 years young. You, too, have something to express, whether it’s joy or pain, hope or despair. Paint is a great place to start. Don’t restrict yourself with “I can’t draw” (neither can I, my friend); or “What will people think?” (who cares?) or “I’m too old” (as long as your fingers or toes or mouth can hold a brush to dip into paint, you’re plenty young enough).
Picture credit: "Mint chip moos", acrylic on canvasSunday, January 25, 2009
A little more about Valerie's lead character "Isabel"

What are some of Isabel’s fantasies?
Well, Isabel can see herself on the "Oprah" show. You know: grieving senior citizen artist/writer gives back to the community by donating a percentage of her book and art sales to important causes such as educating people about the critical nature of organ donor/transplantation registration; or reminding people to fasten their seatbelts; or establishing a scholarship program for aspiring artists or aspiring chefs who have been diagnosed with Attention Deficit Hyperactivity Disorder; or establishing guidelines for a nationwide roadside marker/memorial program. Or, who knows?
Closer to home, John Travolta owns a home just down the road from Micanopy, FL, a quaint and charming town where Isabel World’s art is on display for exhibit and sale at the Gallery Under the Oaks (a small artists’ co-op housed in a 1920-built log cabin) and Coffee ‘n Cream CafĂ© (a small gathering place for locals and tourists who are hungry for homemade chicken salad or a hunk of fudge, or just want to hear the spontaneous country jam fest out on the porch, or hear owner Cliff talk about his other profession—clowning at rodeos). Isabel imagines that one day, Mr. Travolta will roar into town on one of his motorcycles, find Isabel, sweep her off her feet, and tell all his international friends what a treasure she is. (After having written this, I learned that the Travoltas’ son recently died. I am so sorry for their loss. My heart sank to my toes as I recalled the days right after our Tony was killed.)
Picture credit: "Biker Cow Girl", 16" x 12", watercolor on paper
Friday, January 23, 2009
Valerie looks to the future with "Isabel"

Isabel’s World will be forever under development. What started as one whimsical “stick” cow has multiplied into hundreds of painted stories. I’m fascinated by the idea of merchandising Isabel’s World. I’ve already produced MOO-month Calendars (08 was the 4th year), MOO Mugs and MEOW Mugs, greeting cards, and post cards. I can “see” Isabel on children’s pajamas, bed sheets, wallpaper, and tee shirts.
One day, I intend to slow down long enough from other obligations to concentrate on putting books together. My children’s donor/transplantation book to honor my beloved son Tony consumes my entire focus now. When the book is complete, I will have to find a publisher—or an agent—which ever is supposed to come first. The rest will fall into place, I’m sure.
Meanwhile, as long as I can see and my painting hand functions, I intend to keep painting whatever nonsense pops into my head.
Wednesday, January 21, 2009
The continuing conversation with Valerie D'Ortona

Isabel’s World will be forever under development. What started as one whimsical “stick” cow has multiplied into hundreds of painted stories. I’m fascinated by the idea of merchandising Isabel’s World. I’ve already produced MOO-month Calendars (08 was the 4th year), MOO Mugs and MEOW Mugs, greeting cards, and post cards. I can “see” Isabel on children’s pajamas, bed sheets, wallpaper, and tee shirts.
One day, I intend to slow down long enough from other obligations to concentrate on putting books together. My children’s donor/transplantation book to honor my beloved son Tony consumes my entire focus now. When the book is complete, I will have to find a publisher—or an agent—which ever is supposed to come first. The rest will fall into place, I’m sure.
Meanwhile, as long as I can see and my painting hand functions, I intend to keep painting whatever nonsense pops into my head.
Monday, January 19, 2009
Sunday, January 18, 2009
Valerie explains her "goof ups"

Do you ever have goof ups or work you don't like?
Honey, I have a rented 10 x 10’ storage building chock full of paintings that I’ve done along the way. I don’t know that they are all goof ups, necessarily; they are simply earlier (than today) work. When I print too many reproductions and they don’t sell, I stuff them away in storage also. One of these days I’m going to have to have a large “storage unit” sale—or a bonfire.
Picture credit: "Wanna Come Out and Play", watercolor on paper, 16" x 12"
Thursday, January 15, 2009
Next in the conversation with Valerie

I work quickly because acrylic paint dries quickly—and because I’m impatient. Life is too short; I want to finish a piece and move on to the next.
Tuesday, January 13, 2009
Valerie's ideas

How do you get your ideas?
Sometimes I’ll toy with words, maybe a clichĂ© such as “Hang in there!” Then I visualize Isabel and friends in various circumstances and positions of “hanging in.” Sometimes I’ll sketch the image before putting brush to paint, but, mostly, I “draw” as I paint. One of the beauties of working with acrylic is that if I don’t like the way something looks, I can just paint over it.
Sometimes I’ll see something in a magazine that triggers an Isabel moment. I’m notorious (just ask my family) for cutting up magazines. For a couple of years, I kept a file on magazine eyes; one on frogs; one on barns; etc. Recently, I threw out all those scraps of paper. Most of the time, I paint from memory or imagination, sometimes referring to a calendar or book for a particular detail.
My images tell stories, I’ve found. Even if Isabel is by herself, one may guess a scenario by the scenery or props. Also I try to give clever titles to pieces, such as “Udderly Octo-whelmed,” tools to prompt the viewer into understanding the story.
Picture credit: "Manly Man MOO", acrylic, 16" x 12"
Monday, January 12, 2009
Jewelry by Valerie's son Tony

Sunday, January 11, 2009
Valerie's technique

Friday, January 9, 2009
Thursday, January 8, 2009
The creation of Isabel

In our continuing conversation with Valerie D'Ortona....
Where did Isabel's World come from?
Who can say? I’ve been prolific with my work (probably at the expense of quality control, sometimes), so I was anxious early on—probably before I should have—to show off my work in shows, exhibits, in stores, etc. I needed a name for my fledgling company. “Isabel” just kind of popped up. I have no Isabels in my family; I just liked the name. I selected “World” because I felt as if I had many stories to tell (through images as well as words). Using Isabel’s World has given me permission, so to speak, to develop whimsical animals other than “just cows.” Now Isabel (my main cow) has friends, such as Freddie the Frog, Kitty the Cat, Millie the Pig, and Hattie the Hen, among others. Last year Isabel morphed into a MOO-maid for a series of several paintings. Who knows what ‘09 will birth?
Picture credit: "Baby Bovine", 16" x 12", acrylic
Sunday, January 4, 2009
A conversation with Valerie D'Ortona

Anyhow, back in Florida and without job identity (you know, “And what do YOU do?” “Oh, USED to be a college dean” stuff), I needed something to do to “keep out of trouble,” as per my son’s instruction. Consequently, my very wise son Tony, who had often noticed me dabbling with children’s paints while we watched evening news in Missouri, suggested that I take painting lessons. The local community college was offering a beginning painters class, so I signed up.


