Wonder what happens when you place an order for cow and cowgirl jewelry on Cow art and More? Wonder if the little minions are filling your order or if it's even filled by some big warehouse with lots of forklifts driving around? This short video shows you exactly how your order is carefully packaged and shipped to you!
The blog providing "behind the scenes" information to the art found on www.cowartandmore.com. This blog is maintained by gallery owner and cattle veterinarian, Kathy Swift
Showing posts with label dairy cow jewelry. Show all posts
Showing posts with label dairy cow jewelry. Show all posts
Thursday, December 1, 2011
Wednesday, November 2, 2011
Cow jewelry on Cow Art and More
Many thanks to our summer intern Valentina Escobar-Gonzalez for using her creative talents to create a video about the silver cow jewelry on Cow Art and More. It's beautiful! (and of course I had to share -- enjoy!)
Thursday, October 6, 2011
New LOWER silver cow jewelry prices
What goes up, must come down....eventually. Precious metals prices are finally showing signs of a continuing downward price. As I have promised to customers in the past, when metal prices come down, so will jewelry prices. Woo hoo! Enjoy lower prices on all the sterling silver cow jewelry charms, charm bracelets, and snake chain necklaces effective immediately! (And as always, excellent customer service is at no additional charge.) I can't guarantee how long this will last and suggest buying now for Christmas.
Tuesday, August 2, 2011
How does a cattle veterinarian become a jewelry artist?
It is a rather interesting combination isn't it? I love every minute of being both; veterinary medicine allows me to serve the agriculture community and the jewelry and art nurtures my creative side. So just how did all this get started? I am reposting a blog entry from October 2010 with a few additions in red type.
*This is reposted from October 2010.*
It's hard to believe this collection of cow art has been online for two years now! (Actually, it's almost 3 years now. Our official first day of business was September 1, 2008.) I have loved every minute of making art and connecting with cow art lovers worldwide. One question I continue to get asked, just how did this get started?
I decided to become a veterinarian when I was 11 or 12. (I promise, I will get to the question at hand.) (I really don't remember what precipitated that decision, but I remember being a young girl and decided that was what I was going to do.) Once I made that decision, I knew I had to do everything possible to get into veterinary school. This meant taking lots of science based classes and other academic classes to get me into college. While I took art classes in high school here and there, they just didn't fit into the schedule to take as many as I would have liked.
I went on to college, still with a love of art, but still with a desire to go to veterinary school. Veterinary colleges spell out very clearly what it takes to apply. Unfortunately art classes aren't a prerequisite. While I took a few arts and humanities classes in college, I didn't get to fully investigate any potential art talents. In fact, I didn't do any art activities in college. Looking back, I wish I had done some of that.
The hard work and dedication paid off. I was accepted to veterinary school and headed off with zeal. This time, there was not even the option of taking art classes. (imagine that -- although I insisted on using colored pencils to draw what I was learning in histology class) I continued to explore art museums when I had the chance, but veterinary studies still took priority.
When I graduated veterinary school, I took my first job as a cattle veterinarian and moved to Florida. While I wasn't crazy about living in Florida, I did love that art and culture seem to be the "norm" here. In the spring and fall, there are regular art festivals and within the city of Gainesville, (where the University of Florida is and where I live now), visual and performing arts are just a way of life. Call it karma, call it destiny, call it fate or call it pure dumb luck, but I know if I hadn't moved to Florida, things wouldn't have turned out the way the have. (I can't remember why I took this cow's picture, but I suspect it was because she had quite the special head wrap from her favorite veterinarian. Thinking now it must have had something to do with a dehorn job if things were bleeding enough to warrant a head bandage. Anyway, it's an example of what I do as a cattle vet.)
It was in the summer of 2001 that, at a friend's barbecue (in fact, another large animal veterinarian), I met a well known local jewelry artist. She explained that she was teaching a beginner level metalsmithing class in a couple of weeks and suggested I take it. I did and I was instantly hooked. That was the beginning. Actually, too, that was the beginning of a great friendship as well. The jewelry artist, whose name is Susan, has been incredibly giving with her time and knowledge. I will forever be grateful for inspiring my artistic talents.
That year for Christmas, I made jewelry gifts for close family and friends. It was after a friend of my mom's saw the necklace she was wearing and asked if I could make her one too that I made my first sale. I continued to take a few classes from my original teacher. She was impressed with my skills and encouraged me to apply for art shows. I chose a small local show, applied, and was accepted. (I think my reaction was, "OMG, they accepted me??!!?? Now what do I do?") That was October 2002.
In the summer of 2003, I had the opportunity to study at the Penland School of Craft. Now you might think as someone who might be considered "intelligent" would have a huge advantage. Yeah...not so. I joked that I was the class moron. Everyone else in the class was in some stages of an art degree, not to mention the first person I met in the class that day had just finished a huge sculpture for the city of Rochester, New York. Somehow when the others asked if I had been published, I don't think they meant the articles I co-authored in the Society for Theriogenology journal.
Okay, maybe this isn't going to work, I thought. But once again, call it fate, karma, destiny or pure dumb luck, the teacher of the class (who was a replacement for the original teacher who had been in an accident), was a gifted jewelry artist who's father was what else? A veterinarian! The teacher and I hit if off in a big way, and I was pretty lucky to get the equivalent of a bachelor of fine arts degree crash course in two weeks. After that is when things really started clicking for me.
While I was making jewelry during this time, it was much more "artsy". My agriculture friends asked if I made cow jewelry. I simply looked at them like they had 3 eyes and replied, "No." As much as I love cows, I really didn't want to make jewelry of them. Veterinary medicine doesn't leave much room for creativity and I really wanted to do something different when I was in the studio. As I realize now, though, I just hadn't found the right idea yet. (The pendant at left is from 2004. It is a pin/pendant of chrysocolla, sterling silver and bronze.)
My farm friends continued to pester me about making a line of farm jewelry. It wasn't that it was a bad idea, I just wanted something extra special. I wanted something very unique and classy, but most of all realistic. While attending a local veterinary meeting in the fall of 2007, I saw someone selling charm jewelry pieces of cats and dogs. (It was more like, "What are all those people doing in that booth?" It was so crammed full of people that it took me a couple of minutes to get to the counter to see that it was cat and dog jewelry. Oh yeah -- major light bulb moment.) It was then that the idea of the cow jewelry came to me. After doing a little visual research on the internet, I realized I had some unique ideas to make realistic farm jewelry. I knew my experience within agriculture would allow me to make cow jewelry that not only I found to be realistic, but agriculture enthusiasts would too.
Along the way of my jewelry career, I also met other artists who had a fascination with cows and created art representing them. I thought it would be great to include them in my venture as well. The planning for Cow Art and More began in the spring of 2008. I began production of the charms and recruited other artists to become a part of my "family". I officially launched Cow Art and More on September 1, 2008, with a few charms and a handful of artists. I now represent over 25 cow art artists and have 7 charms, with 3 more to launch any day now. (Left is my rosette charm, shown in 18 K yellow gold).
I'm very enthusiastic about the future of Cow Art and More. I was excited to be asked to sell cow art at the 2011 National Holstein Convention and honored to have coordinated the unique stained glass trophies given last month at the All American Red and White Holstein show in Harrisburg, Pennsylvania. It is quite satisfying knowing that the beauty of agricultural art can bring joy to people's daily lives.
Isn't it great how things work out? I never would have guessed in a million years this is where things would be.
What did I miss that you're still wanting to know more about?
*This is reposted from October 2010.*
It's hard to believe this collection of cow art has been online for two years now! (Actually, it's almost 3 years now. Our official first day of business was September 1, 2008.) I have loved every minute of making art and connecting with cow art lovers worldwide. One question I continue to get asked, just how did this get started?I decided to become a veterinarian when I was 11 or 12. (I promise, I will get to the question at hand.) (I really don't remember what precipitated that decision, but I remember being a young girl and decided that was what I was going to do.) Once I made that decision, I knew I had to do everything possible to get into veterinary school. This meant taking lots of science based classes and other academic classes to get me into college. While I took art classes in high school here and there, they just didn't fit into the schedule to take as many as I would have liked.
I went on to college, still with a love of art, but still with a desire to go to veterinary school. Veterinary colleges spell out very clearly what it takes to apply. Unfortunately art classes aren't a prerequisite. While I took a few arts and humanities classes in college, I didn't get to fully investigate any potential art talents. In fact, I didn't do any art activities in college. Looking back, I wish I had done some of that.
The hard work and dedication paid off. I was accepted to veterinary school and headed off with zeal. This time, there was not even the option of taking art classes. (imagine that -- although I insisted on using colored pencils to draw what I was learning in histology class) I continued to explore art museums when I had the chance, but veterinary studies still took priority.
When I graduated veterinary school, I took my first job as a cattle veterinarian and moved to Florida. While I wasn't crazy about living in Florida, I did love that art and culture seem to be the "norm" here. In the spring and fall, there are regular art festivals and within the city of Gainesville, (where the University of Florida is and where I live now), visual and performing arts are just a way of life. Call it karma, call it destiny, call it fate or call it pure dumb luck, but I know if I hadn't moved to Florida, things wouldn't have turned out the way the have. (I can't remember why I took this cow's picture, but I suspect it was because she had quite the special head wrap from her favorite veterinarian. Thinking now it must have had something to do with a dehorn job if things were bleeding enough to warrant a head bandage. Anyway, it's an example of what I do as a cattle vet.)It was in the summer of 2001 that, at a friend's barbecue (in fact, another large animal veterinarian), I met a well known local jewelry artist. She explained that she was teaching a beginner level metalsmithing class in a couple of weeks and suggested I take it. I did and I was instantly hooked. That was the beginning. Actually, too, that was the beginning of a great friendship as well. The jewelry artist, whose name is Susan, has been incredibly giving with her time and knowledge. I will forever be grateful for inspiring my artistic talents.
That year for Christmas, I made jewelry gifts for close family and friends. It was after a friend of my mom's saw the necklace she was wearing and asked if I could make her one too that I made my first sale. I continued to take a few classes from my original teacher. She was impressed with my skills and encouraged me to apply for art shows. I chose a small local show, applied, and was accepted. (I think my reaction was, "OMG, they accepted me??!!?? Now what do I do?") That was October 2002.
In the summer of 2003, I had the opportunity to study at the Penland School of Craft. Now you might think as someone who might be considered "intelligent" would have a huge advantage. Yeah...not so. I joked that I was the class moron. Everyone else in the class was in some stages of an art degree, not to mention the first person I met in the class that day had just finished a huge sculpture for the city of Rochester, New York. Somehow when the others asked if I had been published, I don't think they meant the articles I co-authored in the Society for Theriogenology journal.
Okay, maybe this isn't going to work, I thought. But once again, call it fate, karma, destiny or pure dumb luck, the teacher of the class (who was a replacement for the original teacher who had been in an accident), was a gifted jewelry artist who's father was what else? A veterinarian! The teacher and I hit if off in a big way, and I was pretty lucky to get the equivalent of a bachelor of fine arts degree crash course in two weeks. After that is when things really started clicking for me.
While I was making jewelry during this time, it was much more "artsy". My agriculture friends asked if I made cow jewelry. I simply looked at them like they had 3 eyes and replied, "No." As much as I love cows, I really didn't want to make jewelry of them. Veterinary medicine doesn't leave much room for creativity and I really wanted to do something different when I was in the studio. As I realize now, though, I just hadn't found the right idea yet. (The pendant at left is from 2004. It is a pin/pendant of chrysocolla, sterling silver and bronze.)My farm friends continued to pester me about making a line of farm jewelry. It wasn't that it was a bad idea, I just wanted something extra special. I wanted something very unique and classy, but most of all realistic. While attending a local veterinary meeting in the fall of 2007, I saw someone selling charm jewelry pieces of cats and dogs. (It was more like, "What are all those people doing in that booth?" It was so crammed full of people that it took me a couple of minutes to get to the counter to see that it was cat and dog jewelry. Oh yeah -- major light bulb moment.) It was then that the idea of the cow jewelry came to me. After doing a little visual research on the internet, I realized I had some unique ideas to make realistic farm jewelry. I knew my experience within agriculture would allow me to make cow jewelry that not only I found to be realistic, but agriculture enthusiasts would too.
Along the way of my jewelry career, I also met other artists who had a fascination with cows and created art representing them. I thought it would be great to include them in my venture as well. The planning for Cow Art and More began in the spring of 2008. I began production of the charms and recruited other artists to become a part of my "family". I officially launched Cow Art and More on September 1, 2008, with a few charms and a handful of artists. I now represent over 25 cow art artists and have 7 charms, with 3 more to launch any day now. (Left is my rosette charm, shown in 18 K yellow gold).I'm very enthusiastic about the future of Cow Art and More. I was excited to be asked to sell cow art at the 2011 National Holstein Convention and honored to have coordinated the unique stained glass trophies given last month at the All American Red and White Holstein show in Harrisburg, Pennsylvania. It is quite satisfying knowing that the beauty of agricultural art can bring joy to people's daily lives.
Isn't it great how things work out? I never would have guessed in a million years this is where things would be.
What did I miss that you're still wanting to know more about?
Thursday, July 7, 2011
Packaging cow jewelry orders - Cow Art and More
Wonder what happens when you place an order for cow and cowgirl jewelry on Cow art and More? This short video shows you exactly how your order is carefully packaged and shipped to you!
Tuesday, June 21, 2011
New sterling silver jewelry charm
I am proud to announce the new jewelry charm has arrived! Enjoy the solid sterling silver milk bottle as a way to show your dairy pride (and help a worthy charity in the process).
Click here to order the sterling silver milk bottle charm
P.S. Order this silver milk bottle charm through Thursday, June 23, and receive FREE shipping!
Click here to order the sterling silver milk bottle charm
P.S. Order this silver milk bottle charm through Thursday, June 23, and receive FREE shipping!
Friday, April 29, 2011
Blunders men make when buying mother's day jewelry
*By popular request, I am resharing this blog post, originally posted in May 2010.*I know Mother's Day is a very popular time for men to be buying the mothers in their life a special piece of jewelry. These are a few of my observations about the biggest mistakes men make when buying jewelry for a gift.
1. Not knowing the details. I have actually had men buy earrings for a gift and not know if the woman had pierced ears. Wow! Major gamble! Find out as much information about your lady as possible. A good start is to find out a ring size, bracelet size, preferred length of necklaces, color preferences, metal preferences and any allergies.
2. Getting her something she doesn't have. This is only a good thing if you have heard her say that she wants a ".....". For example, if she doesn't own any bracelets, there may be a good reason why. Maybe she has a job where it gets in the way or she would have to take it off frequently. Take a quick inventory of her jewelry and get an idea of what she prefers or take notes the next time you are window shopping together.
3. Not considering the "what ifs". Is your jewelry purchase sizable? Can you return or exchange it if she doesn't like it? What if she likes the pendant but wants a different chain? Understand the exchange and return policy on the jewelry BEFORE you purchase it.
4. Buying something that doesn't go with her body type. Believe it or not, how a piece of jewelry is shaped or formed impacts how it looks on a person. For example, round earrings do not look good on a woman with a round face. A small pendant on a short chain isn't particularly flattering to a curvaceous woman with a large bustline. When you're buying the piece, get the person helping you to give suggestions or even the model the jewelry if necessary to help with the decision making process.
5. Buying something that doesn't go with her style. Buy her something she will wear! If she doesn't go to a lot of fancy occasions, she may not get a lot of wear from a big, fancy cocktail ring. Inexpensive earrings may be a better fit for daily wear. If she does a lot of work with her hands, a ring may not hold up to her rough schedule, but a necklace might fit the bill.
I am always happy to help shoppers with their gift purchases! There is also a group of articles on the Cow Art and More art resources page that art collectors, enthusiasts and jewelry collectors may also find helpful.
Wednesday, April 13, 2011
Polishing cow jewelry
In getting ready for the Cow Art and More booth at the National Holstein Convention this June, I decided a jewelry inventory was in order. In doing so, I had some dairy cow jewelry pieces that needed polishing.

Metal doesn't want to be shiny. If silver had its choice, it will be a dull flat gray color. We jewelry folks give that bright shine that is so appealing. This is a group of cows that have been polished (foreground) and another group that need polishing (small pile to the upper left of the picture). Before polishing, I coat all of the pieces with a black patina (stain). This will buff off easily, except in the cracks and crevices. This is actually what I want, since that dark patina will highlight some of the subtle details of the cow charm.

The cow to the far left has the black patina, but has not been polished. The one on the right of the picture has been polished.

There's a couple different ways of doing this, but this time, I'm using a flex shaft tool with a buff and red rouge polishing compound. While spinning the buff, I dip it into the red rouge (the mostly hard brick in the right part of the picture), then press the buff onto different areas of the cow charm.

In case you're thinking this looks like your dentist's office, you're pretty much right. Just imagine the higienist polishing your teeth with that minty toothpaste, except I'm using polishing compound on metal.

It leaves a dark red residue on my hands and fingers, which mostly comes off with soap and water. It does get into the cracks of your hands and fingernails though, so people will wonder if you have some strange incurable fungus or something similar.
When I'm done polishing, I use Dawn dish soap to get the greasy compound off. I dry them thoroughly, then they're ready to go!
Metal doesn't want to be shiny. If silver had its choice, it will be a dull flat gray color. We jewelry folks give that bright shine that is so appealing. This is a group of cows that have been polished (foreground) and another group that need polishing (small pile to the upper left of the picture). Before polishing, I coat all of the pieces with a black patina (stain). This will buff off easily, except in the cracks and crevices. This is actually what I want, since that dark patina will highlight some of the subtle details of the cow charm.
The cow to the far left has the black patina, but has not been polished. The one on the right of the picture has been polished.
There's a couple different ways of doing this, but this time, I'm using a flex shaft tool with a buff and red rouge polishing compound. While spinning the buff, I dip it into the red rouge (the mostly hard brick in the right part of the picture), then press the buff onto different areas of the cow charm.
In case you're thinking this looks like your dentist's office, you're pretty much right. Just imagine the higienist polishing your teeth with that minty toothpaste, except I'm using polishing compound on metal.
It leaves a dark red residue on my hands and fingers, which mostly comes off with soap and water. It does get into the cracks of your hands and fingernails though, so people will wonder if you have some strange incurable fungus or something similar.
When I'm done polishing, I use Dawn dish soap to get the greasy compound off. I dry them thoroughly, then they're ready to go!
Wednesday, February 9, 2011
Cow Art and More to create jewelry charm for charity
Cow Art and More is excited to announce gallery owner and jewelry artist Kathy McComb Swift will be creating a new jewelry charm to make its debut at the 2011 National Holstein Convention in Richmond, Virginia. A portion of the sale of this charm will benefit the National Holstein Wives Scholarship Organization (NHWSO). The NHWSO provides scholarships for deserving youth who are pursuing college and graduate level education in agriculture. While the charm design has been decided, the finished piece will not be unveiled to the public until closer to the event.
Wednesday, November 3, 2010
Jewelry charm sales to support youth program
Cow Art and More is once again partnering with the American Jersey Cattle Association (AJCA) to fundraise for the Jersey youth program. The charm replica of the traditional Jersey jug, created by me (Kathy McComb Swift), will be available for purchase at the All American Jersey show and sale in Louisville, Kentucky, November 6 and 7. Cow Art and More will donate 15 percent of the selling price to AJCA to help support future Jersey milk producers through youth scholarships. This same percentage will also apply to any purchases made through the Cow Art and More website.I am excited the project was enough a success last year to do it again this year. The future of agriculture is with our community's young people. I am honored and proud to help.
The charm is available for purchase in the jewelry section of the Cow Art and More catalog or by calling the toll free customer care number, 888-613-6019.
Picture credit: sterling silver Jersey jug milk can charm
Click here to go to Cow Art and More to learn more about this piece of cow jewelry
Wednesday, October 13, 2010
The founding of Cow Art and More
It's hard to believe this collection of cow art has been online for two years now! I have loved every minute of making art and connecting with cow art lovers worldwide. One question I continue to get asked, just how did this get started?I decided to become a veterinarian when I was 11 or 12. (I promise, I will get to the question at hand.) Once I made that decision, I knew I had to do everything possible to get into veterinary school. This meant taking lots of science based classes and other academic classes to get me into college. While I took art classes in high school here and there, they just didn't fit into the schedule to take as many as I would have liked.
I went on to college, still with a love of art, but still with a desire to go to veterinary school. Veterinary colleges spell out very clearly what it takes to apply. Unfortunately art classes aren't a prerequisite. While I took a few arts and humanities classes in college, I didn't get to fully investigate any potential art talents.
The hard work and dedication paid off. I was accepted to veterinary school and headed off with zeal. This time, there was not even the option of taking art classes. (imagine that) I continued to explore art museums when I had the chance, but veterinary studies took priority.
When I graduated veterinary school, I took my first job as a cattle veterinarian and moved to Florida. While I wasn't crazy about living in Florida, I did love that art and culture seem to be the "norm" here. In the spring and fall, there are regular art festivals and within the city of Gainesville, (where the University of Florida is and where I live now), visual and performing arts are just a way of life. (I can't remember why I took this cow's picture, but I suspect it was because she had quite the special head wrap from her favorite veterinarian. Anyway, it's an example of what I do as a cattle vet.)It was in the summer of 2001 that, at a friend's barbecue, I met a well known local jewelry artist. She explained that she was teaching a beginner level metalsmithing class in a couple of weeks and suggested I take it. I did and I was instantly hooked. That was the beginning.
That year for Christmas, I made jewelry gifts for close family and friends. It was after a friend of my mom's saw the necklace she was wearing and asked if I could make her one too that I made my first sale. I continued to take a few classes from my original teacher. She was impressed with my skills and encouraged me to apply for art shows. I chose a small local show, applied, and was accepted. That was October 2002.
While I was making jewelry during this time, it was much more "artsy". My agriculture friends asked if I made cow jewelry. I simply looked at them like they had 3 eyes and replied, "No." As much as I love cows, I really didn't want to make jewelry of them. Veterinary medicine doesn't leave much room for creativity and I really wanted to do something different when I was in the studio. As I realize now, though, I just hadn't found the right idea yet. (The pendant at left is from 2004. It is a pin/pendant of chrysocolla, sterling silver and bronze.)My farm friends continued to pester me about making a line of farm jewelry. It wasn't that it was a bad idea, I just wanted something extra special. I wanted something very unique and classy, but most of all realistic. While attending a local veterinary meeting in the fall of 2007, I saw someone selling charm jewelry pieces of cats and dogs. It was then that the idea of the cow jewelry came to me. After doing a little visual research on the internet, I realized I had some unique ideas to make realistic farm jewelry. I knew my experience within agriculture would allow me to make cow jewelry that not only I found to be realistic, but agriculture enthusiasts would too.
Along the way of my jewelry career, I also met other artists who had a fascination with cows and created art representing them. I thought it would be great to include them in my venture as well. The planning for Cow Art and More began in the spring of 2008. I began production of the charms and recruited other artists to become a part of my "family". I officially launched Cow Art and More on September 1, 2008, with a few charms and a handful of artists. I now represent over 25 cow art artists and have 7 charms, with 3 more to launch any day now. (Left is my rosette charm, shown in 18 K yellow gold).I'm very enthusiastic about the future of Cow Art and More. I was excited to be asked to sell cow art at the 2011 National Holstein Convention and honored to have coordinated the unique stained glass trophies given last month at the All American Red and White Holstein show in Harrisburg, Pennsylvania. It is quite satisfying knowing that the beauty of agricultural art can bring joy to people's daily lives.
Wednesday, September 8, 2010
Packaging cow jewelry orders
Wonder what happens when you place an order for cow jewelry? See how it is carefully packaged and shipped to customers in a timely fashion in this 2 minute video.
Wednesday, June 2, 2010
And the new jewelry charm is....
In case you haven't stopped by the Cow Art and More jewelry page or our Facebook page recently, I ran a contest allowing visitors to select the next cow jewelry charm.
Drumroll please....
By ONE vote, the winner is a cow bell! I have my task and will be happy to keep everyone updated on the process. Thanks all for stopping by to vote!
P.S. If you want to get notified by email when this charm becomes available, sign up for the Cow Art and More email list and check the box for NEW JEWELRY NOTIFICATIONS
Drumroll please....
By ONE vote, the winner is a cow bell! I have my task and will be happy to keep everyone updated on the process. Thanks all for stopping by to vote!
P.S. If you want to get notified by email when this charm becomes available, sign up for the Cow Art and More email list and check the box for NEW JEWELRY NOTIFICATIONS
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