Friday's art article - Central Florida cow art in ag

In case you missed it, Cow Art and More and several of its artists were featured in the November 2011 issue of Central Florida Ag News. Missed it in your mailbox? Read the issue online! (Find us on pages 7, 9, and 38)

Friday's art article - Cow Parade Austin

In case you haven't heard, painted cows have invaded Austin, Texas! From July through October of this year, 74 painted cows were on the streets of Austin as a part of the Cow Parade Austin exhibit. The event culminates next weekend with a live auction of the cows with special guest emcee, The Tonight Show host, Jay Leno. Proceeds of the auction will benefit a local children's charity.

Can't make the auction and missed the cows live? No worries! Pictures of the Cow Parade Austin cows can be viewed online, along with creating artist information.

Cow Art and More Oct e-news

Looking for advice on how to pick the right glass for a picture frame? Need a link to print your own Halloween candy bar wrappers? Missed the news about the two new artists we added to our gallery? Check out the October edition of the Cow Art and More e-news. (And by the way, it's free!)

Two new painters join Cow Art and More

I am excited to introduce two new painters to the Cow Art and More portfolio of artists:

Laura Carey has lived in Canada all her life. She new painting would be an important part of her life, but had no idea that dairy farming would be as important as well. The dairy cattle on the farm she operates with her husband serve as the inspiration for her paintings.










Narrie Toole hails from New Mexico. While she no longer has cattle of her own, she managed her own herd of beef cattle for many years and exhibited the cattle nationally. Narrie's loose impressionistic style of oil painting captures the attention of collectors worldwide.

You can find the complete collection of both artists work in the painting category along with the new products section through the end of the month.

And the cow art gift certificate winner is....

Congratulations to Colleen Newvine (@NewvineGrowing) for being the lucky winner of the drawing for the $50 gift certificate for participating in our customer satisfaction survey. She can spend it any way she likes, which we hope will come in handy with the holidays on the way.

In case you're curious as to how her name was picked (and want to see the video debut of the official studio cat), you're invited to watch the selection video:

Cow Art and More September e-news

Want to know what's going on the gallery this month? Be sure to check out the Cow Art and More September e-news. Get some art tips, a do-it-yourself art project and find the link to our survey to help us serve you better.

Shipping cow art to the PA All American Dairy Show

So this all sounds familiar right? Pack a vehicle, travel north. Well, this time I'm doing it a bit differently. I packed the majority of what I will need for the PA All American Dairy show (art, display materials, etc.) and shipped it via a packing crate.


Bessie the metal cow will be making an appearance at the show again. She was a hit, especially with those kids that were on her level.











The art display pedestals and their tops are on their way again. They pack nice and flat, but are a bit wide (24 inches). The size of these pedestals are the reason why I got the size crate I did.








The crate just fit into the back of my vet truck. My kids were excited to see this big box in the back of my truck.











I ended up using UPS freight to ship my crate to Pennsylvania. In order to get the best shipping price, I had to take it directly to the shipping depot in Ocala, which is about an hour away. (My business doesn't have a loading dock or a forklift, so it was going to cost a lot more to have a truck come directly to the office.)

Notice the tailgate of my girly girl vet truck doesn't come even with the loading dock? This will become important in a minute.



The first attempt to get the box off my truck with a forklift (or as my kids say "Guido" -- a tribute from the Cars movie) didn't work. It just couldn't reach the pallet to scoop it up.

Go to Plan B.








The UPS freight guys were super nice and used a hoist and the forklift to get it up on the dock. Now we're cooking.










And here is its home -- for a couple of days anyway. Actually, as I write this, the crate is already there. I shipped it last Friday. The process actually went a little easier than I was expecting.

Now, to shove everything else in two suitcases. Yeah, that's not going to be as easy as I thought.

Getting ready to travel north

Getting ready for our second live event in two months has surprisingly been a bit easier this time. I've got one show under my belt and the booth is essentially built and ready to go. So what could be different this time? Since the show is at the Pennsylvania All American Dairy show this time, and our headquarters in Gainesville, Florida is a good 1000 miles or so away, getting there will be the challenge this time.

In decided when and how I would get there came down to a few things:

1. Getting the art there. In order to drive up with the art, I would need to rent a cargo van or a large mini van. (Is there such a thing?) Otherwise, I could ship everything there ahead of time.
2. The time involved with getting there. To drive, it would be two days up and two days back driving. Flying would be faster, but more expensive?

Here's how it worked out:

I couldn't find a van large enough with unlimited mileage. By the time I rented the van, paid for the gas, and spent four days traveling (as opposed to two if I was driving), it was more cost effective to fly. Since I'm flying, I needed to find a way to get the art there.

That's where this thing comes in: I'm packing all the materials in a shipping crate and having them freighted up there ahead of time. Believe it or not, freighting the booth materials and art up and back PLUS a plane ticket is cheaper than driving.

Pastel artist included in exhibit

Cow Art and More pastel artist, John Plishka will be exhibiting three paintings in the American Academy of Equine Art Fall Open Juried Exhibition. The Exhibition runs Sept. 2nd to October 16th at the Arts and Cultural Center in Georgetown, Kentucky. The artist reception is September 16th from 6pm until 9pm.

John is a graduate of the University of Illinois School of Veterinary Medicine and is a full-time veterinarian in Antioch, Illinois. Recently he has rekindled his passion for painting. As you would expect, the subjects he most often portrays are animals. “Being a veterinarian has helped me tremendously in my art. Having been through detailed anatomy of many species has been a huge advantage.” Horses are his favorite animal to paint by far. He also enjoys painting birds, especially raptors.

His award winning artwork has been on the cover of the Journal of the American Veterinary Medical Association, and was featured in the American Academy of Equine Art 2009 Calendar. He won an honorable mention at the New Jersey Equine Artists’ Association: 2010 “The Art of the Horse” National Juried Exhibition. This year he exhibited in the 24th Annual International Exhibition on Animals in Art in Baton Rouge, La. He also stays busy with commissions.

Happy 3rd Birthday Cow Art and More

Wow! I can't believe it has been 3 years that we have "officially" been in business. Cow Art and More launched online on September 1, 2008. While I wrote a business plan when preparing to open our doors, I don't think I could have guessed three years ago where we would be today (in a good way!). Just a few of our accomplishments I am most proud of:

1. We have shipped art to 4 continents. (Watch out penguins on Antarctica, we're coming for you next!)
2. While Cow Art and More included the art made by only half a dozen artists when it started, there is well made and handcrafted two and three dimensional art from over 25 artists today.
3. Our press coverage has been humbling to say the least. It means a lot when both magazines within the agriculture industry, as well as the mainstream, find our art something to talk about.
4. We had our first live event this year. While it took a little doing to pull it together, it was well worth it on many levels.

But, without a doubt, the thing that I am most proud of is the continued comments from our fans and customers that we have done everything to exceed your expectations. You have commended us on our art quality and excellent customer service. That means so much. Thank you. It is my promise that we will do everything in our power to continue to be the best place "where art and agriculture meet".

Cow Art and More - as reported by our intern

*This is a guest post written by our summer intern, M. Valentina Escobar-Gonzalez. Valentina has been our intern for the last 3 months and was asked to write a post about why she wanted to be our summer intern and what she has learned.*

How I Met Kathy

I had been following Kathy's tweets for several months and really enjoy her fun tweets on agriculture (AG), running her business "Cow Art and More", and social media (SM).
She is a spectacular woman since she is a Dairy veterinarian, gallery owner, jewelry artist, mother to three small toddlers, and she still manages to have an happy-go-lucky personality. In the end of spring, I tweeted to her about offering to do an (informal) internship where I could do social media marketing, press releases, and business consultation with the incentive give her more time to be with her boys and less on the computer doing SM. I have a hard time working for individuals who I don't respect or I'm not loyal to, but with a background and personality like Kathy's who can't be respectful and loyal to this amazing woman?

Her business was of particular interest to me since it involved AG, beautiful hand-made jewelry, and AG-related art. Art is not being my biggest strength but I enjoy challenges! She blogs often about art, so I have learned a bit about the subject since I have started. In addition, doing an internship with her seems to make sense since she lives nearby and in my old college town. A visit to meet with her is a perfect excuse to also enjoy my favorite pancakes near my Alma-Mater. I thought it was a good deal and so did she, yes!!! During our first in person meeting, I did some modeling for her resin collection and took videos of her office and product line. I really enjoyed spending time with her young boys, boy oh boy, they were a handful but very sweet. I didn't know little kids enjoyed the Food Network channel as much as I do. We were all glued to the TV watching Rachael Ray between takes.

What I've Learned

I have been very blessed and lucky to work with Kathy. I'm so glad she has opened her doors to me and has implemented some of my ideas to her company. I was surprised to learn my SM suggestions sometimes are pretty unique and often don't always get approval but I'm fortunate that I have her confidence and that she knows that I'm doing it with my best interest at heart. I learned that all of the time invested in SM does have a ROI, blogging adds credibility for her brand, and it is worth the hours invested and sacrificed weekly not spent with her sons.

I often wonder how she is able to sleep and still do it all? I have learned she is able to handle it all due to her love, dedication to the industry, endless amounts of coffee, and rock n'roll music obsession.

What we're working on now

In addition to the day-to-day operations of Cow Art and More, I've always got a couple of "big" things I'm working on. Right now, there are two projects with top priority:

1. I'm in the process of adding two new artists and their art to Cow Art and More. I only interview artists twice yearly (January and July) and make decisions as to whether or not that artist and their art would be a good fit. Of the 8 artists I reviewed last month, I'm happy to say two look to be a good fit with both their art and their business style. I hope to have their art listed by the end of next week.

2. We have another live event coming up in less than a month at the Pennsylvania All American Dairy show! In some respects, this is a bit less stressful than the art booth we had at the National Holstein convention. Everything is built and I've made a few adjustments from our last event to help things run a bit smoother. (There are always a few hiccups along the way.) The biggest change is that I will be shipping the art up Harrisburg, Pennsylvania ahead of time in a shipping crate and will fly in for the show.

Once these two projects are out of the way, it's onto being ready for holiday shopping!

Cow Art and More Aug e-news

Missed the August edition of the Cow Art and More e-news in your inbox? No worries, we've got a copy right here. Get caught up on our newest art, art care tips, and a do-it-yourself art project.

Commonly asked questions at Cow Art and More

I love getting questions about our art and how things work here. Our customers have inquisitive minds! I wanted to take a moment and answer the most commonly asked questions:

Some of the artwork has writing over the picture. What's up with that?

Since art is copyrighted by the creating artist, many artists will "watermark" their art with their name, business name, or logo to prevent people from using the art without purchase. This watermark is not on the art itself of any prints of the art.

Original, giclee, lithograph, art print, limited edition. Aargh! What's the difference between all of them?

An original, means just that. It's an original piece of art. The artist can choose whether or not to make prints from the original.

Giclee and lithograph mostly refer to the printing methods, which involve a specific way of using ink (giclees 'spray' color whereas lithographs use plates to place color). An art print generally just refers to the process of print making, although usually refers to print reproductions on paper. They also tend to be lower cost as compared to canvas prints.

Limited edition means only so many are created. The artist decides how many prints there are, but generally not more than 500 of any one design. Limited edition artworks may also be signed and numbered. This is in contrast to an open edition, where as many prints as desired are created. These art pieces are not signed by the artist.

(Want more information? Read the recent blog post on Common Art Terms Defined.)

I wish you had more art work of _____________ (insert your favorite breed of cattle here).

I absolutely agree with you. I wish we had multiple artists who created art of every cattle breed that has ever existed. A few reasons why we don't:

1. Art quality is first and foremost. Without a doubt, I have to be sure the art is high quality before I include it for sale on Cow Art and More. It has to be well made and be able to last for many years. This means the artist must use quality paints, papers, canvases, metals, glass, etc. I also need to know the artist constructed the art using good techniques. It doesn't matter how beautiful a piece of art is if it's going to degrade or fall apart in a matter of weeks to months to years.

2. Artists selling their art on Cow Art and More must also be very well business minded. In addition to selling quality art, customer service is key. Since much of our art ships directly from the creating artist, I need to know he/she will carefully package and ship the art in a timely fashion to a customer.

These two reasons alone narrow the field of potential artists. I would say Cow Art and More generally only accepts 1 in 8 to 10 artists where a discussion has started.

3. Certain breeds of cattle, (like Holsteins and Angus) are better recognized by the general public. Not only is there a larger market for their art, there are also more artists creating art of those breeds. Our customer base outside the agriculture community has a preference for these breeds as well. The lesser known cattle breeds (like Dexters and Guernseys) just don't get the credit they deserve. *frown*

However, all that being said, I am ALWAYS on the lookout for high quality art of all cattle breeds.

I live overseas. Why can't I place an order on your website?

The way the shopping cart on our website is designed, it's "all or none". For example, we can't specify that we only ship jewelry or art purchases less than $50 outside the U.S. Since there are issues with shipping large and/or valuable items overseas (duty taxes, insurance, and time to receive just to name a few), it's easier for all involved to take everything on a case by case basis as to avoid surprises and headaches down the road. If interested parties email us (info@cowartandmore.com), I can email you back shipping options and invoice you through Paypal for your payment.

What else would you like to know?

What is a typical day like at Cow Art and More?

The first thing, is that there is never anything typical about running an art gallery (or any other business for that matter). Certain days of the week have certain patterns, but I'm glad there is always a bit of flexibility in what I can do.

Regardless of the day of the week and whatever is scheduled, the first thing I focus on every morning is taking care of orders that need to be filled. If an order is being filled from Cow Art and More headquarters, I make every effort possible for it to ship the same day and mail those orders off early. I also check orders in the middle of the day, if I'm in the office, and try to fill them in time to catch a late pickup at the post office. (There is a drop station close to me that picks up mid-morning and late afternoon.) If a package doesn't ship the same day the order it is received, it will go out the next business day. (We ship 6 days a week.) If a customer has placed an order for art that ships directly from the artist, I make sure the artist has received the order and is set to ship.

Generally, I have at least one day a week that I call and office day. On this day, I usually write blog posts for the week, list new art, update the website, correspond with artists (current and potential), pay bills and take care of other tasks from the last few days that need addressing. I also do some planning for advertising, mailings (postal and electronic) and our printed catalog.

If it's a day that I have veterinary work scheduled, I get up an hour earlier to give me time to get through my emails. First priority goes to filling orders from overnight and second priority goes to taking care of urgent emails. Otherwise, other important emails might have to sit until I have another office day to go through them.

In case you're interested, these are a few of my favorite products I use here in the office that help me remain productive and provide excellent customer service:

• Endicia internet postage. I can buy the postage online, weigh packages and envelopes in my office and print out the appropriate amount all from my own computer. All I have to do then is drop items in a postal box. (I also do something similar for my FedEx and UPS packages too.)
• Grasshopper toll free phone number. It's an inexpensive way for me to have a toll free number for customers to call.
• Paypal. Not only does Paypal handle all our online transactions processed through cowartandmore.com, but I can also invoice people directly for their purchases. (I have to do it this way for international purchases since the default for our shopping cart system does not allow purchases outside the United States.)
  
• Having a really good assistant. Unfortunately, my assistant graduated college back in May, and I have yet to find a suitable replacement. I'm hopeful that when school starts again in a couple of weeks, I will find another good one.
• Shelves and bins. Part of running the Cow Art and More office is storing the art we sell (including the jewelry). Being organized is absolutely essential. Trips to home improvement stores are on an as needed basis to get whatever I need to make this happen.

What else would you like to know? Was this what you were expecting?

What happens when I place an order for cow art?

Is this like a huge warehouse with conveyors and fork lifts, or is it in someone's basement with little minions running around?

Somewhere in between in probably how I would describe it.

When you place an order online, the shopping cart system generates a message that there is a order to fill, along with the details of the order (items ordered, contact information, shipping address). If you call to place an order or fax us an order, it gets entered into our computer system and the same message is generated. A copy of the order gets sent to the person or business filling the order. Why does this happen? Because Cow Art and More does not maintain an inventory of all the art we sell.

What? I'm calling to order an art print and you don't even have it there? What's up with that?

The number one reason we have a limited in-house inventory is to keep our costs lower. Maintaining an inventory of all the art we sell would mean having a larger office space and hiring a larger staff to maintain the inventory. Since we have a smaller amount of art to maintain at headquarters, Cow Art and More is able to sell art at a lower price than you would expect to find in a brick and mortar gallery. Approximately one-third of the art is maintained here, while the other two thirds is kept by the creating artists in their studio. (Since the art would have to be shipped out to Cow Art and More AND shipped out to a customer, why not only ship it once?)

The other useful feature of our system is that when an order is received, the shopping cart system automatically generates an email to the creating artist that an order needs to be filled, without headquarters needing to be involved. This allows the customer to get the fastest service possible. Customers can expect to have their orders shipped within two business days unless notified otherwise. (Some of our art gets created when ordered. It's another way for us to keep costs down and pass those savings along to customers.) If your order is coming directly from Cow Art and More's office in Florida, you will receive an email with the package tracking number when your order ships. (Orders ship via postal mail unless you're notified otherwise.)

If you ever have any concerns about how your order is handled, time frame to receive, packaging questions, (or anything else for that matter), drop an email to info@cowartandmore.com. What other shipping questions or concerns do you have?

Balancing a small art gallery with big business feel

When coming up with the business plan for Cow Art and More, I wanted to make sure customers had the amenities the larger "box stores" offered, but wanted to be equally as sure that people could feel like they were getting more than "big box store" service.

A few of the "big items" that I included:

• A toll free phone number and toll free fax number. It shouldn't cost you to contact us. Both of our phone lines have toll free options (or you can call us on our direct number as well)
• An organized way to ship orders to customers and have them know about it. I can print postage in our office and forward package tracking numbers directly to the purchaser.
• A small commercial space to conduct a little business. Since I have three small children, I usually work from home, but have rented a small space that serves some basic business needs like shipping and receiving and whenever I need to meet with someone.
• A website that could provide customers with the "online experience" they had grown accustomed too. This included not only the ability to purchase cow art, but a website (that at least on my end), made the experience of managing and buying art from an art gallery easy. To be honest, this has been one of the biggest challenges. (more to come on this in a future blog post)
  
• After being online for about 6 months, we added a print catalog to our repertoire. You might be thinking, 'Why am I just now hearing about this?'. Mostly because if you have high speed internet access, you already have access to our most expansive, up-to-date catalog. The print catalog is only done twice year and is intended for our customers that don't have internet access or don't have high speed internet access (Gasp! -- I can't imagine doing this on a dial up connection). The print catalog only highlights our best sellers is almost always out of date by the time it goes out since Cow Art and More is adding new art all the time.
  

So what do I do to keep things "real"?

• Sometimes I answer the phone. Yeah, me. The owner, big enchilada, artist herself. I must admit that love hearing some of the customer reactions when they find out they're talking to the person in charge.
• I make it a point to follow up with everyone who makes a purchase personally. It's not done by some email bot or autoresponder. I send everyone an email asking about their purchase and not only how satisfied they are with their art, but the entire purchase experience.
• I include a small note of thanks with each art shipment that we handle from the home office. I am truly grateful that you find our art worthy of including in your collection or beautiful enough for a gift.
• I write blog posts like this. I think art can be intimidating for some people, especially if you're not schooled in it. You don't have to be an expert to know what you like or don't like.
• I am happy to have conversations with people through social media outlets like this blog, Facebook and Twitter. I talk about more than art, but enjoy having thoughtful conversations, even when the opinions are different than mine.
• Don't tell anyone this, but I check email and make and take phone calls after hours. I am trying to balance being and artist and art gallery owner with being a mom and veterinarian and don't mind working when necessary to get everything done. So if you call, and the phone message says we're closed and you choose to leave a message, I will probably answer the phone if I'm in the office.

What else do you see that you would like? What else have you noticed that is missing from this list?

How Cow Art and More artists are selected

*Another version of this post appeared on this blog in October 2010.*

One of the questions I get asked by the art and agriculture communities is how artists and their work are selected for inclusion on Cow Art and More. I would say only one in eight artists, where contact has been initiated by myself or the artist, end up exhibiting their art with Cow Art and More.

Why is that the case?

First, while Cow Art and More is not a traditional "brick and mortar" gallery, we still hold ourselves to the same top standards. We not are not like an Ebay or Etsy site where anyone can list their art. If an artist's work meets an initial appeal, I make a point to interview the artist.

I like to get to know the artists because we like to include ones who have a genuine interest in agriculture. More than half of our artists live on a farm and/or own livestock themselves. It is that understanding, we feel translates into the beauty of creating the art of farms and farm animals.

Once the artist has passed an interview, the work is reviewed by committee for its uniqueness and appeal to our customer base. We feel very strongly that the art must "add something" to the agricultural art portfolio we offer. That same art must also offer good value; it needs to be something the new owner will cherish for years to come.

If the committee finds that the artist is a good fit, an official invitation is extended. While there are a few artists that find they're unable to make a commitment to us at this point, the ones that do understand our business and the efforts we make in providing high quality art and excellent customer care.

How does a cattle veterinarian become a jewelry artist?

It is a rather interesting combination isn't it? I love every minute of being both; veterinary medicine allows me to serve the agriculture community and the jewelry and art nurtures my creative side. So just how did all this get started? I am reposting a blog entry from October 2010 with a few additions in red type.

*This is reposted from October 2010.*

It's hard to believe this collection of cow art has been online for two years now! (Actually, it's almost 3 years now. Our official first day of business was September 1, 2008.) I have loved every minute of making art and connecting with cow art lovers worldwide. One question I continue to get asked, just how did this get started?

I decided to become a veterinarian when I was 11 or 12. (I promise, I will get to the question at hand.) (I really don't remember what precipitated that decision, but I remember being a young girl and decided that was what I was going to do.) Once I made that decision, I knew I had to do everything possible to get into veterinary school. This meant taking lots of science based classes and other academic classes to get me into college. While I took art classes in high school here and there, they just didn't fit into the schedule to take as many as I would have liked.

I went on to college, still with a love of art, but still with a desire to go to veterinary school. Veterinary colleges spell out very clearly what it takes to apply. Unfortunately art classes aren't a prerequisite. While I took a few arts and humanities classes in college, I didn't get to fully investigate any potential art talents. In fact, I didn't do any art activities in college. Looking back, I wish I had done some of that.

The hard work and dedication paid off. I was accepted to veterinary school and headed off with zeal. This time, there was not even the option of taking art classes. (imagine that -- although I insisted on using colored pencils to draw what I was learning in histology class) I continued to explore art museums when I had the chance, but veterinary studies still took priority.

When I graduated veterinary school, I took my first job as a cattle veterinarian and moved to Florida. While I wasn't crazy about living in Florida, I did love that art and culture seem to be the "norm" here. In the spring and fall, there are regular art festivals and within the city of Gainesville, (where the University of Florida is and where I live now), visual and performing arts are just a way of life. Call it karma, call it destiny, call it fate or call it pure dumb luck, but I know if I hadn't moved to Florida, things wouldn't have turned out the way the have. (I can't remember why I took this cow's picture, but I suspect it was because she had quite the special head wrap from her favorite veterinarian. Thinking now it must have had something to do with a dehorn job if things were bleeding enough to warrant a head bandage. Anyway, it's an example of what I do as a cattle vet.)

It was in the summer of 2001 that, at a friend's barbecue (in fact, another large animal veterinarian), I met a well known local jewelry artist. She explained that she was teaching a beginner level metalsmithing class in a couple of weeks and suggested I take it. I did and I was instantly hooked. That was the beginning. Actually, too, that was the beginning of a great friendship as well. The jewelry artist, whose name is Susan, has been incredibly giving with her time and knowledge. I will forever be grateful for inspiring my artistic talents.

That year for Christmas, I made jewelry gifts for close family and friends. It was after a friend of my mom's saw the necklace she was wearing and asked if I could make her one too that I made my first sale. I continued to take a few classes from my original teacher. She was impressed with my skills and encouraged me to apply for art shows. I chose a small local show, applied, and was accepted. (I think my reaction was, "OMG, they accepted me??!!?? Now what do I do?") That was October 2002.

In the summer of 2003, I had the opportunity to study at the Penland School of Craft. Now you might think as someone who might be considered "intelligent" would have a huge advantage. Yeah...not so. I joked that I was the class moron. Everyone else in the class was in some stages of an art degree, not to mention the first person I met in the class that day had just finished a huge sculpture for the city of Rochester, New York. Somehow when the others asked if I had been published, I don't think they meant the articles I co-authored in the Society for Theriogenology journal.

Okay, maybe this isn't going to work, I thought. But once again, call it fate, karma, destiny or pure dumb luck, the teacher of the class (who was a replacement for the original teacher who had been in an accident), was a gifted jewelry artist who's father was what else? A veterinarian! The teacher and I hit if off in a big way, and I was pretty lucky to get the equivalent of a bachelor of fine arts degree crash course in two weeks. After that is when things really started clicking for me.

While I was making jewelry during this time, it was much more "artsy". My agriculture friends asked if I made cow jewelry. I simply looked at them like they had 3 eyes and replied, "No." As much as I love cows, I really didn't want to make jewelry of them. Veterinary medicine doesn't leave much room for creativity and I really wanted to do something different when I was in the studio. As I realize now, though, I just hadn't found the right idea yet. (The pendant at left is from 2004. It is a pin/pendant of chrysocolla, sterling silver and bronze.)

My farm friends continued to pester me about making a line of farm jewelry. It wasn't that it was a bad idea, I just wanted something extra special. I wanted something very unique and classy, but most of all realistic. While attending a local veterinary meeting in the fall of 2007, I saw someone selling charm jewelry pieces of cats and dogs. (It was more like, "What are all those people doing in that booth?" It was so crammed full of people that it took me a couple of minutes to get to the counter to see that it was cat and dog jewelry. Oh yeah -- major light bulb moment.) It was then that the idea of the cow jewelry came to me. After doing a little visual research on the internet, I realized I had some unique ideas to make realistic farm jewelry. I knew my experience within agriculture would allow me to make cow jewelry that not only I found to be realistic, but agriculture enthusiasts would too.

Along the way of my jewelry career, I also met other artists who had a fascination with cows and created art representing them. I thought it would be great to include them in my venture as well. The planning for Cow Art and More began in the spring of 2008. I began production of the charms and recruited other artists to become a part of my "family". I officially launched Cow Art and More on September 1, 2008, with a few charms and a handful of artists. I now represent over 25 cow art artists and have 7 charms, with 3 more to launch any day now. (Left is my rosette charm, shown in 18 K yellow gold).

I'm very enthusiastic about the future of Cow Art and More. I was excited to be asked to sell cow art at the 2011 National Holstein Convention and honored to have coordinated the unique stained glass trophies given last month at the All American Red and White Holstein show in Harrisburg, Pennsylvania. It is quite satisfying knowing that the beauty of agricultural art can bring joy to people's daily lives.

Isn't it great how things work out? I never would have guessed in a million years this is where things would be.

What did I miss that you're still wanting to know more about?

Mixed Media Collage artist Elizabeth St. Hilaire Nelson

Want to learn more about Elizabeth St. Hilaire Nelson and how she creates her "paper paintings"? Watch this recent interview where Elizabeth shares some of her techniques and inspirations for her three-dimensional, mixed media collages.