Showing posts with label art business. Show all posts
Showing posts with label art business. Show all posts

Thursday, August 4, 2011

Balancing a small art gallery with big business feel

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When coming up with the business plan for Cow Art and More, I wanted to make sure customers had the amenities the larger "box stores" offered, but wanted to be equally as sure that people could feel like they were getting more than "big box store" service.

A few of the "big items" that I included:

  • A toll free phone number and toll free fax number. It shouldn't cost you to contact us. Both of our phone lines have toll free options (or you can call us on our direct number as well)
  • An organized way to ship orders to customers and have them know about it. I can print postage in our office and forward package tracking numbers directly to the purchaser.
  • A small commercial space to conduct a little business. Since I have three small children, I usually work from home, but have rented a small space that serves some basic business needs like shipping and receiving and whenever I need to meet with someone.
  • A website that could provide customers with the "online experience" they had grown accustomed too. This included not only the ability to purchase cow art, but a website (that at least on my end), made the experience of managing and buying art from an art gallery easy. To be honest, this has been one of the biggest challenges. (more to come on this in a future blog post)
  • After being online for about 6 months, we added a print catalog to our repertoire. You might be thinking, 'Why am I just now hearing about this?'. Mostly because if you have high speed internet access, you already have access to our most expansive, up-to-date catalog. The print catalog is only done twice year and is intended for our customers that don't have internet access or don't have high speed internet access (Gasp! -- I can't imagine doing this on a dial up connection). The print catalog only highlights our best sellers is almost always out of date by the time it goes out since Cow Art and More is adding new art all the time.
So what do I do to keep things "real"?

  • Sometimes I answer the phone. Yeah, me. The owner, big enchilada, artist herself. I must admit that love hearing some of the customer reactions when they find out they're talking to the person in charge.
  • I make it a point to follow up with everyone who makes a purchase personally. It's not done by some email bot or autoresponder. I send everyone an email asking about their purchase and not only how satisfied they are with their art, but the entire purchase experience.
  • I include a small note of thanks with each art shipment that we handle from the home office. I am truly grateful that you find our art worthy of including in your collection or beautiful enough for a gift.
  • I write blog posts like this. I think art can be intimidating for some people, especially if you're not schooled in it. You don't have to be an expert to know what you like or don't like.
  • I am happy to have conversations with people through social media outlets like this blog, Facebook and Twitter. I talk about more than art, but enjoy having thoughtful conversations, even when the opinions are different than mine.
  • Don't tell anyone this, but I check email and make and take phone calls after hours. I am trying to balance being and artist and art gallery owner with being a mom and veterinarian and don't mind working when necessary to get everything done. So if you call, and the phone message says we're closed and you choose to leave a message, I will probably answer the phone if I'm in the office.
What else do you see that you would like? What else have you noticed that is missing from this list?

Friday, April 1, 2011

Friday's art article: Art Copyright laws

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I have received several questions from customers pertaining to what they can do with the images displayed on Cow Art and More. These situations are specifically governed by copyright laws. I will go through a few of the situations here and explain what customers can and cannot do.

The moment someone creates anything "artful", the only person legally allowed to makes copies of that artwork is the original creating artist. If the artist decides to make copies (e.g. prints, multiple sculptures, etc.), he or she can. If anyone else does, without written permission from the creating artist, this is a copyright infringement. The artist has the legal right to take the offending party to court and sue for damages. In fact, copyright laws are so strong that family or legal heirs will still own the copyright to the artist's artwork until 70 years after his or her death.

Artists that display their work online or allow their art to be published in books or magazines often put a copyright symbol (letter c encased in a circle) next to the image. Just because the symbol isn't there doesn't mean you can copy the work; copyright is automatically implied when the art is created. The symbol is there as a reminder.

Art collectors should be aware that even after buying an original work of art, the artist still holds the copyright. This is what allows the artist to sell prints of the work. The buyer cannot make prints or sell copies of the art unless the artist has given express permission in writing. If you as the collector want to buy a piece of art, without giving the artist the right to make reproductions, please make this clear up front. If this is an artist that makes prints of their work, it is likely the artist will want to do so for that original piece. If you as the buyer want to also own the copyright, I would also suggest getting this fact in writing since the laws are written in the artist's favor.

There are three areas where I see art collectors fall into problems when it comes to copyrights and art work.

  1. You cannot use an artist's image for anything without their explicit consent. This includes using an image of the artwork to represent your business or organization. This is still the case even if you have purchased a copy of the artwork.
  2. You cannot download a copy of the artwork to use as a screen saver, t-shirt logo, avatar on your Facebook page, or other assorted activities without written consent from the artist. Even though you are using it for your own behalf, with no plans to resell, it is still considered "stealing" unless the artist has consented.
  3. This next area is a bit more fuzzy, but you cannot post a copy of the artwork on your own website, blog, facebook page, etc. without consent of the artist. Generally, if the artwork is identified with the creating artist, copyright symbol, and even a title and date created, problems can be averted. But without that identification, problems usually arise. Many artists like to have the publicity, so an email is usually all it takes to avoid problems. Nowadays with social media sharing buttons, I would suggest using one of them to "share" the artwork with others.

In general, the few copyright problems we have had to deal with have not been malicious in any way. People were just unaware of the laws and were happy to comply with our request once we asked not to use it in the manner they were.

My advice: when in doubt, ask. If you've made a mistake, rectify it. If you're caught, be honest.

Saturday, March 27, 2010

A conversation with Elizabeth St. Hilaire Nelson: Part 11

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What advice do you have for aspiring artists?

I have a lot of advice for aspiring artists. I tell them to remember that art is a business, and so you cannot neglect the fact that you have to spend a serious amount of time marketing your own work. You have to get OUT of the studio and get in front of your computer and get out in front of people, network. I also stress how important it is to be reliable. You have to deliver the work when you said you would, you have to meet deadlines and bring work that is ready to hang, professional. You have to be reliable and be someone that galleries know they can count on to deliver. You have to be organized, keep a computer program of your inventory, your contacts, your mailing list, your galleries, and your work. Be prepared to sell yourself and your work, be organized and be original.

Picture credit: "How Now, Brown Cow"

Click here to see this piece of cow art as a mixed media collage or on a flash bag tote bag

Sunday, August 23, 2009

Cow Art and More recognized for outstanding business practices

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We are excited to announce Better Business Bureau accreditation for our outstanding business practices and commitment to customer service. In order to receive accreditation, Cow Art and More underwent a review process including our privacy policy practices, complaint resolution procedures, and a questionnaire to establish our honesty and integrity in the marketplace.

Click to verify BBB accreditation and to see a BBB report.

Wednesday, August 19, 2009

Studio visit with Linda Blondheim

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I am very fortunate to work with a very talented group of artists across the country. I wish I had the time and opportunity to visit with all of them, but it is just about impossible. However, I am only a few miles from oil painter Linda Blondheim. I was able to spend a lovely afternoon with her in her studio just north of Gainesville, Florida. She, and her French Bulldog Henry, treated me to an afternoon of art and business talk. In addition to the cow art oil paintings she does for Cow Art and More, Linda is widely recognized as one of the premier landscape painters of the southeastern United States. She has an expanded portfolio of her work on www.lindablondheim.com. Linda is kind enough to receive visitors on appointment. She also participates in outdoor painting events across the state.

Picture credit: Linda's French Bulldog, Henry, waits for his newest friend to sit next to him on the futon

Friday, March 13, 2009

Friday's website of interest to art enthusiasts

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Today's website of interest is the blog maintained by this month's featured artist, Linda Blondheim. Not only does Linda paint and manage a studio, she finds time to coach and inspire other artists to improve their work. Linda posts regularly about her work, both analyzing and critiquing, while offering hints and tips for other painters. One of the best part is that she includes one of her favorite recipes at the end. Furthermore, Linda has years of insight into the business of art and is generous with sharing that information also.

Her blog can be found at lindablondheimartnotes.blogspot.com

Picture credit: "Henry", Linda Blondheim's faithful Boston Terrier and studio companion
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