Showing posts with label horse art. Show all posts
Showing posts with label horse art. Show all posts

Wednesday, September 7, 2011

Pastel artist included in exhibit

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Cow Art and More pastel artist, John Plishka will be exhibiting three paintings in the American Academy of Equine Art Fall Open Juried Exhibition. The Exhibition runs Sept. 2nd to October 16th at the Arts and Cultural Center in Georgetown, Kentucky. The artist reception is September 16th from 6pm until 9pm.

John is a graduate of the University of Illinois School of Veterinary Medicine and is a full-time veterinarian in Antioch, Illinois. Recently he has rekindled his passion for painting. As you would expect, the subjects he most often portrays are animals. “Being a veterinarian has helped me tremendously in my art. Having been through detailed anatomy of many species has been a huge advantage.” Horses are his favorite animal to paint by far. He also enjoys painting birds, especially raptors.

His award winning artwork has been on the cover of the Journal of the American Veterinary Medical Association, and was featured in the American Academy of Equine Art 2009 Calendar. He won an honorable mention at the New Jersey Equine Artists’ Association: 2010 “The Art of the Horse” National Juried Exhibition. This year he exhibited in the 24th Annual International Exhibition on Animals in Art in Baton Rouge, La. He also stays busy with commissions.

Tuesday, February 22, 2011

Jo Lynch - painting advice

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What advice to you have for aspiring artists?

I once read in a drawing book that you have to draw every day, everything you see, and this will continue your skill and growth as an artist. I believe it is true, and I'm guilty of NOT doing enough of the daily drawing. I think this helps creativity along with skill. They meant draw EVERYTHING. The junk under your kitchen sink, whatever is on the table, what you see in front of you anywhere, anytime. Draw every day to get better. If you can't draw well, then your paintings will not be good. I also believe interacting with other artists is also very helpful to becoming a better artist, and one needs to learn to listen to criticism. Skip's critique's were brutal, but I feel I learned more from what he said than anywhere else. Later a group of us that had taken art with Skip formed our own group, meeting once a week to paint on location. We painted, then we critiqued our own art. I think this is a valuable tool for artists also... Be open to new ideas, be open to other artists and art forms.

Picture credit: "Horse of Many Colors", watercolor on paper

Click here to learn more about this horse painting

Tuesday, December 14, 2010

Canadian watercolor painting artist Donna Greenstein

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The featured artist at Cow Art and More for October 2010 was Donna Greenstein. Donna's "photorealism" watercolor painting techniques allow her to capture her horse and cattle subjects in a realistic fashion. She enjoys painting from her ranch in Canada and finds her subjects simply by walking out her back door.

Why do you paint?

My favorite pastime is photographing animals, planning a painting then executing the project. I love to paint in the evening when the business of farm life has calmed down. I put on music, usually classical, and paint away. Bliss!

How did you get started?

Like most artists, I drew and painted from the time I was a young girl. I lived in a small town, Walnut, Illinois, south of Chicago. My dad was a large animal vet there and he took me around with him on calls. I drew and drew and drew. After retiring as a high school Computer Science and Math teacher in the country north of Toronto, Ontario, I took up watercolors starting with botanical art, painting my garden’s flowers, fruit, vegetables, etc in a highly realistic way. I then concentrated on birds and now I have painted farm animals for a few years.

What is your technique?

I love realism. The more realistic the better. Abstract I don’t get.

I start with a great photo, build my composition, draw on tracing paper, transfer to Fabriano 300 lb watercolor paper. I then do a test sheet to figure out the colors I will use making sure to use the minimum number of colors to maximize color consistency then paint until I am satisfied the painting is finished.

Where did you learn your technique?

I have taken scores of courses and workshops over the years. I love learning new methods. I also belong to a painting group called Kaleidoscope. We meet regularly and give each other advice.

Where do you get your inspiration?

My husband and I have owned an organic cow-calf operation selling sides and quarters for 35 years. My present inspiration comes from the cattle and horses around me.

How do you decide what to paint?

I take my camera everywhere, leaving it in the car. Our farm is ten minutes away from the local towns. If the lighting is good and I pass animal herds I stop to photograph them. If a photo grabs my fancy and inspires me, I will paint it.

How long does it take you to get an average creation?

From concept to finish I take about 30 hours as there is so much detail in each painting. The trick is knowing when to stop. I like much more detail than most artists. Photorealism is my goal.

How did you get interested in creating art of farm animals?

I grew up in Illinois in farm country and now live on a farm for the past 35 years. The animals are all around me. What better to paint than that which surrounds me.


Do you ever have goof ups or work you don’t like?

Of course. I have stacks of paintings I no longer like. I just don’t frame them.

What advice do you have for aspiring artists?

Take courses at first as the learning curve is steep for starting art then draw, draw, draw and paint, paint, paint. Start or join a group of like minded artists and meet regularly to paint and discuss. I have painted with five friends for about four years. We call our group Kaleidoscope. We have presented a few group shows and meet every other week. We have gone to each other’s lake cottages for 3, 4 or 5 day extended holidays to paint. Joy!

What else do you do besides your art?

I am an avid gardener in the summer. I am the Treasurer of the Schomberg Horticultural Society and go to their monthly meetings. My husband runs a dog and cat boarding kennel and I help him by walking the dogs in the morning. I tutor local high school students in Math. I have been in a local book club for 30 years and am a passionate reader.

What would you like to do more of in the future?

I plan a series of barn paintings. I have many books about barn buildings and took a tour this summer of local barns with an expert Dr. John Carter. He explained that many of the old barns are not being used anymore and are falling down. Our own barn was built in the 1800s by pioneers who knew how to build a barn to last. When we first moved here in 1975 the bank barn was falling down from disuse. We recemented the floors and back wall and restored it to its past glory. Beautiful !

Saturday, October 23, 2010

Q & A with Donna Greenstein Part 9

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Do you ever have goof ups or work you don’t like?

Of course. I have stacks of paintings I no longer like. I just don’t frame them.

Picture credit: "Rocky San", watercolor on paper

Click here to learn more about this horse painting

Saturday, October 2, 2010

October's featured artist

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This month's featured artist at Cow Art and More is Donna Greenstein. Donna's "photorealism" watercolor painting techniques allow her to capture her horse and cattle subjects in a realistic fashion. She enjoys painting from her ranch in Canada and finds her subjects simply by walking out her back door. Enjoy a series of question and answer sessions all month long on this blog.

See Donna's complete collection in our specials section. Purchase any of her work during the month of October and receive free shipping.

Saturday, September 18, 2010

Q & A with Deborah Grayson Lincoln Part 8

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How long does it take you to get an average creation?

58 years! Next year it will take 59! Seriously though - from photo, to doodling to small painting to finished large one - minimum 40 hours.

Picture credit: "Easy Afternoon Walk", original oil painting

Click here to learn more about this horse painting

Thursday, September 16, 2010

Q & A with Deborah Grayson Lincoln Part 7

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How did you get interested in creating art of farm animals?

I LIVE with farm animals! And we recently built a chicken coop so I expect chickens will become the next familiar subject.

Picture credit: "Bluebonnet Roller", oil on masonite

Click here to learn more about this horse painting

Saturday, September 11, 2010

Q & A with Deborah Grayson Lincoln Part 5

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Where did you learn your technique?

I have refined my basic technique after attending classes with several different artists - John Poon, James Spurlock and John Pototschnik

Picture credit: "Curiosity", 8 inches by 6 inches, oil on canvas board

Click here to learn more about this horse painting

Tuesday, September 7, 2010

Q & A with Deborah Grayson Lincoln Part 3

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Why do you paint?

Artists don't see the world as others see it and words cannot describe the "visions". So I vainly attempt to use paint as descriptive phrases. (And if I'm lucky, I come close once in a while.)

Picture credit: "Arabian Afternoon", 8 inches by 6 inches, oil on canvas board

Click here to learn more about this horse painting

Wednesday, July 21, 2010

Artist wins award

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Pastel and oil painter, John Plishka, won an Honarable Mention Award at the New Jersey Equine Artists Association National juried exhibition. The award was won on his painting, "Valor in the Charge".


Picture credit: "Valor in Charge"


Contact Cow Art and More about purchasing this horse pastel drawing

Tuesday, May 18, 2010

Q & A with Beth Dunn: Part 6

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How did you get interested in creating art of farm animals?

Farm animals are not a part of my daily work, so it is a challenge to incorporate them into an art piece. I am always up for a challenge, and I like to manipulate digitally forms, shapes, colors and compositions of these animals. Pop art is a fun way to utilize this technique.

Picture credit: "Horse Grazing"

Click here to read more about this horse digital art

Thursday, May 6, 2010

Q & A with Beth Dunn: Part 2

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How did you get started?

My love for art started once I could hold a crayon in my hands! I love color, and am a visual person, therefore I respond more visually than any other way. I realized I could use artwork not only (later in life) as a career, but ultimately as a way to express who I am as a person, using color and composition.

Photo credit: "Horse Drinking", digitally enhanced photograph

Click here to learn more about this piece of horse art

Wednesday, May 5, 2010

Pastel artist accepted into competition

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Cow Art and More artist, John Plishka, has been accepted into the national juried exhibition, "Art of the Horse" for 2010. The competition is sponsored by the New Jersey Equine Arts Association. This exhibit will be at the Somerset Arts Association in Bedminster, New Jersey. John's selected pieces are shown here:













Picture credit: "The Gentle Tutor"


















Picture credit: "Valor in the Charge"






Please contact Cow Art and More if interested in purchasing either of these two horse drawings

Sunday, April 25, 2010

Interview with photographer Kent Weakley

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Cow Art and More photographer Kent Weakley recently did an interview with the horse website The Equinest. Kent discusses his techniques, favorite places to photograph, and what he plans to do more of in the future. Enjoy the interview plus some of Kent's horse photography not seen on Cow Art and More.

Photo credit: "Marchidor Eye"

Saturday, January 9, 2010

A conversation with Carla Christina Contreras: Part 3

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Why do you take pictures?

Expression – pure creative expression – I like to capture something in a way that the average person didn’t even notice. Everything about my world is “visual” – when it comes to recalling what I’ve seen, there is no better way then to photograph it. I want to share it with every body, I want you to see what you may have missed. I want to see things close up and personal – my style of photography is going in to the detail and capturing the detail that the naked eye cannot see. When I am inspired by something I see I take a picture of it. I LOVE the instant gratification that photography allows me – especially now with the digital age.

Picture credit: "Madame, I'm Yours"

Click here to learn more about this horse photograph


Tuesday, January 5, 2010

A conversation with Carla Christina Contreras: Part 1

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How did you get started?

I can’t remember not having a camera in my hands… Being a professional Actor, I believe most of my background comes from the perspective of cinematography. I have spent many days/hours/weeks on film and television sets while growing up in Hollywood, watching the production crew work at their individual craft. I was eleven years old when I was on the Walton’s; I remember taking pictures on the set of this and that… always intrigued by all the detail a production goes into for realism. I have had a camera in my hot little hands [with thought clarity] since I about 1971.

Picture credit: "American Beauty"

Click here to learn more about this horse photograph


Saturday, January 2, 2010

Carla Christina Contreras featured artist for January

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This month's featured artist is photographer Carla Christina Contreras. Carla captures pictures of cattle, horses and other farm animals on her journeys through Tennessee, her home of recent years. She also has experience as an actress, web designer and children's book author.

Carla's work comes on greeting cards, suitable for framing, or may be purchased as enlargements. She will be answering a series of questions detailing her work and creative processes all month long on the blog. Enjoy free shipping on Carla's art all month!

Tuesday, December 15, 2009

A conversation with Gary Sauder: Part 6

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How do you decide what to paint?

I really don’t know how to answer this question, because I don’t know what kind of mood I’m going to be in order to decide what I want to paint. Right now I’m in a horse mood and that could change after I finish the next painting. I have a duck painting that I need to finish and then I could go really exotic as I haven’t painted any big cats in a while. I guess I paint whatever moves me or happens to hit my hot button.

Picture credit: "Profile of Greatness", pastel on paper

Click here to learn more about this pastel drawing of the horse, Secretariat

Saturday, December 5, 2009

A conversation with Gary Sauder: Part 2

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Where do you get your inspiration?

I get my inspiration from my own experiences and my love of the natural world. I think that every day that I get to paint is a good day and a day that I learn something about myself. I hope when you see one of my paints that you can feel my inspiration.

Picture credit: "2:24", pastel on paper, the artist's rendering of the Thoroughbred Secretariat

Click here to learn more about this horse art image

Saturday, May 9, 2009

A conversation with Lynn Bishop: Part 2

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How did you get started?

I drew a lot as a kid and my mother, who I suspect wanted to be an artist, encouraged and supported me as best she could, even somehow finding the money for some art lessons when I was in high school in the late 1950's. Unfortunately the teacher wanted to teach abstract painting and I wanted to learn realistic painting, so that experience was somewhat disappointing. Later, when I was an art major in a small college, someone told me I couldn't be "a real artist" and focus on equine art. So I showed them...I quit art and became a veterinarian instead! But the art muse wouldn't leave me alone so nearly two decades later I turned back to art.

Photo credit: "One Horsepower"

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