Showing posts with label pastel drawing. Show all posts
Showing posts with label pastel drawing. Show all posts

Thursday, May 12, 2011

Have concerns about buying an original pastel?

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For those who might be hesitant to buy an original pastel painting

- Lots of pastels are still around done by the old masters – see Edgar Degas
- the pastel won’t fall off, (most artist use a sanded paper that holds the pastel very well).
- The colors won’t fade but don’t hang your painting in direct sunlight.
- A spacer should be used when framing a pastel (your framer should know but mention just in case)
o Spacer will be between painting and glass
- If a small painting, it won’t get lost if you put a mat around it – double mat looks the best
- Choose a frame that is medium in width – too small or too large doesn’t show off your painting

These art tips shared today by Carolyn Molder

Saturday, December 18, 2010

Painter and pastel artist Gary Sauder

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The December 2009 featured Cow Art and More artist was pastel drawing and painter Gary Sauder. Gary grew up on a small farm in Sonoma County, California showing registered Jersey cows in the local 4-H club. Gary attended Cal Poly, San Luis Obispo, for two years. After college, Gary took a position caring for and exhibiting the show cattle for then, Meadow Glen Farms of Orland, California. About that time he was introduced to colored pencils. Having always been an avid artist with a pencil, this produced an exciting jump into the realm of painting for Gary.

How did you get started?

I had always been drawing as long as I can remember and had been more or less apprehensive about painting because I didn’t quite know how. I had grown bored with drawing in graphite and hadn’t done it for a long time. Then one evening I saw a movie about a sketch artist for the police and he was using colored pencils and I decided to find out more about them. I got some books on the medium and I conquered my fear of color and shortly there after I graduated to pastel and even water color and oils. I enjoy them all but I prefer to paint in pastel.

Why do you paint?

I paint because of the unbelievable sense of accomplishment and expression that it gives me. I think that it gives me a chance to express how I view the world and the beauty of it. And I think that it gives me a chance to show other people the things that I find interesting.

Where do you get your inspiration?

I get my inspiration from my own experiences and my love of the natural world. I think that every day that I get to paint is a good day and a day that I learn something about myself. I hope when you see one of my paints that you can feel my inspiration.

What is your technique?

I suppose my technique mostly depends on the surface that I paint on. I generally work from very loose to very tight by and by working darks to mid tones to light to highlights and follow that progression about four to five times until I feel that the painting is finished. And I suppose that you would call the technique would be called realism or super realism.

Where did you learn your technique?

For the most part I am self taught, but that doesn’t mean I didn’t learn anything from other artists. I have taken workshops from other notable artists and have done several lessons in technique from master artist’s publications. And have viewed and studied the techniques of the artists that I admire the most. I also have taken to not hanging my own work on my walls at home and hang other artists work for me to see so that I don’t become too enamored with my own work.

How long does it take you to get an average painting?

For the most part I can do a painting in a week but I have done and average size (14 X 19) in a day it just depends on the subject and the complexity of the painting. I have also taken as long as three weeks to complete a painting.

Do you ever have goof ups or work you don’t like?

I have made many goof ups and have done more than a few paintings that I don’t like. I also find that as the years go by some of the paintings I did ten years ago that I liked back then, I don’t like as much now and the opposite is also true.

What would you like to do more of in the future?

I would like to do more of the same, but I would like to travel more and do more field work in many different places.

What else do you do besides painting?

Right now I distribute an amazing nutritional beverage called Mona Vie. It is a product that has wonderful health benefits.

What advice to you have for aspiring painters?

The only advice that I can give to aspiring painters is to paint often and treat it like a profession. I have found the more that I paint the better that I get at it and the more professional the result.

Thursday, July 29, 2010

Q & A with Carolyn Molder: Part 12

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What else do you do besides your art?

I have shown my golden retrievers in dog shows, agility, obedience trials and field events. This has helped me greatly in animal anatomy which has in turn helped with my art. I also teach dog obedience to pet owners.

Picture credit: "Clumber Spaniel Puppy", pastel on Wallis paper

Original picture and giclee prints are available. Contact Cow Art and More to purchase this piece.

Tuesday, July 27, 2010

Q & A with Carolyn Molder: Part 11

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What advice do you have for aspiring artists?

I think if someone really wants to paint, they need to seek a mentor and paint every day. If possible, it’s important to paint en plein aire (outdoors) to train your eye – I just can’t express how valuable that training is.

Picture credit: Carolyn painting at her easel

Saturday, July 17, 2010

Q & A with Carolyn Molder: Part 7

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How did you get interested in creating art of farm animals?

Although I never lived on a farm, I love to paint barns and farm land – the barns have so much character, and with each one something catches my eye that I have to put on paper. The scene is enhanced with farm animals. There is an 84 yr old farmer in our area that I love to talk to – I find him very interesting – he cuts and puts up a large amount of hay for himself and his families cows. His grandsons help him in the fields with the hay and he is always willing to leave a bale out so I can paint it.

Picture credit: "The Farm"

Click here to learn more about this farm landscape pastel drawing

Thursday, July 15, 2010

Q & A with Carolyn Molder: Part 6

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How do you decide what to paint?

In deciding what to paint, I’m usually enthusiastic about the scene or animals –sometimes it could be a breath-taking scene or expression of an animal. Something there just grabs my soul.

Picture credit: "Red Roof Barn"

Click here to learn more about this rustic barn pastel drawing

Thursday, July 8, 2010

Q & A with Carolyn Molder: Part 3

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Where do you get your inspiration?

My inspiration with an animal, its usually the expression. With other subjects, the inspiration is seeing the uniqueness and conveying the beauty I see to the canvas or paper.

Picture credit: "Corn Stubble"

Click here to learn more about this farm pastel drawing

Tuesday, July 6, 2010

Q & A with Carolyn Molder: Part 2

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What is your technique?

I am a representational painter using pencil, pastel and watercolor. I do like detail especially in the subject or focal area. When working in pastels with animals, I like to capture the expression first – the eyes are so expressive so that is my starting point.

Picture credit: "Barn in the Field"

Click here to learn more about this barn pastel drawing

Wednesday, May 5, 2010

Pastel artist accepted into competition

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Cow Art and More artist, John Plishka, has been accepted into the national juried exhibition, "Art of the Horse" for 2010. The competition is sponsored by the New Jersey Equine Arts Association. This exhibit will be at the Somerset Arts Association in Bedminster, New Jersey. John's selected pieces are shown here:













Picture credit: "The Gentle Tutor"


















Picture credit: "Valor in the Charge"






Please contact Cow Art and More if interested in purchasing either of these two horse drawings

Wednesday, April 28, 2010

A meet and greet with artist Robin Maria Pedrero

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The Steinway Piano Gallery of Altamonte Springs, Florida (a suburb of Orlando) is featuring Cow Art and More artist Robin Maria Pedrero in the show "Continuum" for the month of May. In "Continuum," Robin presents works of art that infuse color and design to illustrate the timelessness of nature and love. Using opaque and transparent painted layers and selective ink drawn contours she shows how thoughts triggered by senses can take us on a visual journey connecting present perceptions, past experiences and future musings. A “Meet the Artist” wine/cheese/jazz reception will be May, 13, 2010 6 to 8 pm. Admission is free.

Wednesday, December 23, 2009

A cow painting in progress

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Enjoy this link to see Gary Sauder's pastel drawings progress from a simple pencil sketch on paper to a completed piece of cow art!

Tuesday, December 22, 2009

A conversation with Gary Sauder: Part 8

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What advice to you have for aspiring painters?

The only advice that I can give to aspiring painters is to paint often and treat it like a profession. I have found the more that I paint the better that I get at it and the more professional the result.

Picture credit: "Pleasant Nook F Prize Circus", pastel on paper

Click here to learn more about this Jersey cow drawing

Saturday, December 5, 2009

A conversation with Gary Sauder: Part 2

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Where do you get your inspiration?

I get my inspiration from my own experiences and my love of the natural world. I think that every day that I get to paint is a good day and a day that I learn something about myself. I hope when you see one of my paints that you can feel my inspiration.

Picture credit: "2:24", pastel on paper, the artist's rendering of the Thoroughbred Secretariat

Click here to learn more about this horse art image

Thursday, December 3, 2009

A conversation with Gary Sauder: Part 1

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How did you get started?

I had always been drawing as long as I can remember and had been more or less apprehensive about painting because I didn’t quite know how. I had grown bored with drawing in graphite and hadn’t done it for a long time. Then one evening I saw a movie about a sketch artist for the police and he was using colored pencils and I decided to find out more about them. I got some books on the medium and I conquered my fear of color and shortly there after I graduated to pastel and even water color and oils. I enjoy them all but I prefer to paint in pastel.

Picture credit: "Old Mill E Snickerdoodle", pastel drawing on velvet

Click here to learn more about this drawing of Snickerdoodle, the Grand Champion Brown Swiss and Reserve Supreme Champion at the 2009 World Dairy Expo

Tuesday, December 1, 2009

December's featured artist, Gary Sauder

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Cow Art and More is excited to announce December's featured artist is pastel drawing and painter Gary Sauder. Gary grew up on a small farm in Sonoma County, California. He grew up showing registered Jersey cows in the local 4-H club. Over his career, he exhibited many grand champions and was showmanship champion numerous times. At the same shows, he was the dairy showmanship champion as well as the Round Robin Master Showmanship Champion. He earned the Paul Jackson Scholarship that same year.

Gary attended Cal Poly, San Luis Obispo, for two years. After college, Gary took a position caring for and exhibiting the show cattle for then, Meadow Glen Farms of Orland California. About that time he was introduced to colored pencils. Having always been an avid artist with a pencil, this produced an exciting jump into the realm of painting for Gary.

Gary's art is featured in our specials section. Purchase his art and it will ship for free during the month of December.

Thursday, October 29, 2009

A conversation with John Plishka: Part 11

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What else do you do besides your art?

My plate is pretty full! I'm a full time veterinarian in Antioch, Illinois. My wife and 2 children are the loves of my life and I try to spend as much time as I can with the kids now: especially while they're little. I love and play sports too, especially hockey, soccer and baseball. I play the drums and piano, and I dabble in banjo. Lastly, I enjoy fishing and the outdoors. At the end of the day is usually when I can get some art work done!

Picture credit: John Plishka enjoying some family time while petting a foal.

Wednesday, October 28, 2009

John Plishka featured at art show

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Featured October artist John Plishka recently had two paintings juried into the North Shore Art League's "Inchworks" show. The show is at the North Shore Art League Gallery in Winnetka, Illinois.

*As an aside note, "juried" means the work was selected from a number of submissions. While the jurying process varies from venue to venue, it generally includes a group of people well versed and talented in their respective fields. These people select work for inclusion into a show based upon its quality and uniqueness.

Tuesday, October 27, 2009

A conversation with John Plishka: Part 10

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What advice do you have for aspiring painters?

I still consider myself at this point to be an aspiring painter. I want to improve my art in many facets still, and am a firm believer in that you can never know too much about a subject. But if I had any advice to give to people it would be to try to learn as much as you can about your chosen art direction and dive right in. Have a thick skin about your work as art is so subjective that a lot of people will not care for your work while others love it! Try to get yourself noticed as much as you can, and have the belief in yourself that your art is good and is worth creating! Lastly, try to get to know a lot of artists with similar interests- they will help you in your work and give encouragement which is so important when you are starting out!

Photo credit: John Plishka enjoying some horseback riding and family time

Saturday, October 17, 2009

A conversation with John Plishka: Part 6

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How do you decide what to paint and draw?

I work from photographs mostly, so I try to take my camera almost everywhere. I try to find one or two photos from an experience, scene, or subject, that inspire me. I can often in my mind see the painting before it is on the paper. Often the beauty or power of my subjects is what ultimately drives me to start a painting.

Picture credit: "Night Vision", pastel on paper

Giclee prints of the original pastel drawing available; contact Cow Art and More

Thursday, October 15, 2009

A conversation with John Plishka: Part 5

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Where did you learn your technique?

Since I haven't had much formal art training, I've learned mostly from reading, trial and error, and following some of my favorite artists. Over the last few years, I've taken some pastel classes which have helped immensely in elevating my art. However there is still so much to learn- I wish I had access to more class time!

Picture credit: "The Pumpkin Gleaners", pastel on paper

Giclee prints available of the original pastel drawing, contact Cow Art and More for details

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