Showing posts with label airbrush painting. Show all posts
Showing posts with label airbrush painting. Show all posts

Tuesday, December 21, 2010

Airbrush painter Jerry Gadamus

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June 2009's featured artist was airbrush painter, Jerry Gadamus. Jerry has been painting for over thirty years and loves capturing farm animals and wildlife in their natural environments. Jerry uses his airbrush completely "freehanded"; he uses no stencils or brushes to complete his work.

Why do you paint?

I enjoy it and find I need to do it to maintain sanity.

How did you get started?

I was 10 or 11 years old and painting on a piece of plywood. I didn’t have brushes so I used a 16 penny nail instead. The painting had a religious theme and it hung over my mom’s washing machine.

How do you decide what to paint?

Sometimes I paint what I want and sometimes it’s something the public or publisher wants. I don’t’ do commission work. Sometimes if I’ve had an experience lately with something or even if it’s been 30 years, but it’s been on my mind, I‘ll do it.

What is your technique?

I use freehand airbrush. The way I do it compared with other people is that others combine it with a hand brush. I use the airbrush freehand. I don’t use any masking, taping or hand brushing. Everything is freehand. Hard brushes or stencils can give a hard edge. I’m only a ¼ inch away from the board at all times with my airbrush. Everything you see on that painting is airbrushed.

Where did you learn your technique?


I was in the service for 3 years on the GI bill. When I got back, I went to college for fine arts. My roommate asked me if I wanted an airbrush to try while he was going to get one for himself. Most people my age can remember “Vargas”, and airbrush artist who always did work with a nice gradation of color. I started using an airbrush in 1969. I began with a combination of airbrush and hand brush and practiced to be all airbrush. The company I purchased my airbrush from commissioned me back in the 1970’s to do a piece for them. This was only the second time they had commissioned a piece. The first time was from Vargas himself!

How long does it take to get a painting done?

As little as 2 weeks for the more popular sizes (10” x 24”) and the major pieces (24” x 36”) take 2 months.

Where do you get your inspiration?

Nature! At one time I wanted to be involved with natural resources, but it involved too much math. Being an artist was my second choice. I’m outside with nature all the time.

How did you get started with the cow pieces?

My in laws, Margaret and Arnold, are dairy farmers. With my first cow piece I did, I always included the poem:

Margaret and Arnold are my in-laws you see

They own a dairy farm south of me

Where time is measured by what’s left to do

To provide a bounty for me and you

Do you ever make goof ups or work you don’t like?

It’s an ongoing thing! You’ll always struggle with composition. I used to finish a part before I moved to the next part. I’ve found that if you finish one part and move on to the next, it’s harder to change the entire image. I now work on the whole painting at the same time. I don’t finish anything until I know I like what I see. My wife is a big part in what I do. I’ll call her in to get her opinion. If she gives me the same idea that I’m thinking is a problem, then I usually know I have to change it. I’ll say that too for anyone looking at art. Somebody may not be able to paint something, but they can tell you when something is wrong.

What else do you do besides painting?

That seems to be about it

What would you like to do more of in the future?

I would like to do more bronzes. Being in the upper Midwest, there’s not much of a market for them. It’s a nice escape from the painting end.

Is there anything else about your art you want people to know?

Some colleges and high schools are now teaching airbrush. You can’t teach it per se, but you have to get used to it. Practice! I suggest watercolors first. You can take a dab of paint and put it on a palette and it comes to life even after it dries out. It’s a great way to start without the frustration of the airbrush clogging.

What advice would you give aspiring painters?


Take classes in school in disciplines you may not like or are interested in. It allows you to experience things in school instead of having to buy a bunch of equipment later. I took my 4 to 5 years of college like most normal people, but a friend and I would continue to take 1 credit classes to be able to use the facilities. We were there in the evening enjoying it. I learned you’ll never make a living at it if you don’t enjoy it. Even if you’re good at it, but consider it a job, you’ll never make a living at it.

Sunday, June 28, 2009

A conversation with Jerry Gadamus: Part 12

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How did you get started with the cow pieces?

My in laws, Margaret and Arnold, are dairy farmers. With my first cow piece I did, I always included the poem:

Margaret and Arnold are my in-laws you see

They own a dairy farm south of me

Where time is measured by what’s left to do

To provide a bounty for me and you

Saturday, June 27, 2009

A conversation with Jerry Gadamus: Part 11

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What else do you do besides painting?

That seems to be about it

Saturday, June 20, 2009

A conversation with Jerry Gadamus: Part 8

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Do you ever make goof ups or work you don’t like?

It’s an ongoing thing! You’ll always struggle with composition. I used to finish a part before I moved to the next part. I’ve found that if you finish one part and move on to the next, it’s harder to change the entire image. I now work on the whole painting at the same time. I don’t finish anything until I know I like what I see. My wife is a big part in what I do. I’ll call her in to get her opinion. If she gives me the same idea that I’m thinking is a problem, then I usually know I have to change it. I’ll say that too for anyone looking at art. Somebody may not be able to paint something, but they can tell you when something is wrong.

Thursday, June 18, 2009

A conversation with Jerry Gadamus: Part 7

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How long does it take to get a painting done?

As little as 2 weeks for the more popular sizes (10” x 24”) and the major pieces (24” x 36”) take 2 months.

Picture credit: "Little Dogies", airbrush on canvas

Go to Cow Art and More to see more about this cow art airbrush painting

Tuesday, June 16, 2009

A conversation with Jerry Gadamus: Part 6

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How do you decide what to paint?

Sometimes I paint what I want and sometimes it’s something the public or publisher wants. I don’t’ do commission work. Sometimes if I’ve had an experience lately with something or even if it’s been 30 years, but it’s been on my mind, I‘ll do it.

Saturday, June 13, 2009

A conversation with Jerry Gadamus: Part 5

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Where did you learn your technique?

I was in the service for 3 years on the GI bill. When I got back, I went to college for fine arts. My roommate asked me if I wanted an airbrush to try while he was going to get one for himself. Most people my age can remember “Vargas”, and airbrush artist who always did work with a nice gradation of color. I started using an airbrush in 1969. I began with a combination of airbrush and hand brush and practiced to be all airbrush. The company I purchased my airbrush from commissioned me back in the 1970’s to do a piece for them. This was only the second time they had commissioned a piece. The first time was from Vargas himself!

Picture credit: "More Milk Please", airbrush on canvas

Go to Cow Art and More to see more information about this airbrush painting

Tuesday, June 9, 2009

A conversation with Jerry Gadamus: Part 3

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What is your technique?

I use freehand airbrush. The way I do it compared with other people is that others combine it with a hand brush. I use the airbrush freehand. I don’t use any masking, taping or hand brushing. Everything is freehand. Hard brushes or stencils can give a hard edge. I’m only a ¼ inch away from the board at all times with my airbrush. Everything you see on that painting is airbrushed.

Saturday, June 6, 2009

A conversation with Jerry Gadamus: Part 2

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How did you get started?

I was 10 or 11 years old and painting on a piece of plywood. I didn’t have brushes so I used a 16 penny nail instead. The painting had a religious theme and it hung over my mom’s washing machine.

Thursday, June 4, 2009

A conversation with Jerry Gadamus: Part 1

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Why do you paint?

I enjoy it and find I need to do it to maintain sanity.

Picture credit: "Got Beef", airbrush on canvas

Click here to go to Cow Art and More to see more information about this airbrush painting

Tuesday, June 2, 2009

Jerry Gadamus featured artist on Cow Art and More

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July's featured artist is airbrush painter, Jerry Gadamus. Jerry has been painting for over thirty years and loves capturing farm animals and wildlife in their natural environments. Jerry uses his airbrush completely "freehanded"; he uses no stencils or brushes to complete his work.

Jerry's art will have free shipping all month on Cow Art and More.

His complete line of work will be on the Cow Art and More specials page for July.

Thursday, April 9, 2009

A conversation with Jon Ellis: Part 3

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What is your technique?

So many people are looking for short-cuts these days to make it look good without all the hard work. My technique is slow and laborious. I developed my techniques on my own over a long period of time. While I have a bachelor of fine arts from the Philadelphia College of Art, and had many amazing teachers, no one actually taught me to paint the way I do. My friend in college did turn me on to the best brushes in the world, which I still use today, particularly the 'triple zero' Windsor NewtonI series '7'. It is the ultimate brush for control! I use acrylic paint and layer my work utilizing dry brushing, feathering, glazing, and sometimes a touch of airbrush, if it is called for. By the time a work is completed there are between twenty and thirty layers of paint. It is incredibly hard to describe my technique as I don't think about how I do it anymore...I just do it.

Picture credit: "Thirsty Cow", acrylic painting

Click here to go to Cow Art and More to learn more about this image


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